Difference between revisions of "Journey Into Irrelevancy"

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== Notes ==
 
== Notes ==
  
''Journey Into Irrelevancy'' was a reaction to an environment where, due to diminishing Usenet activity, many LNH writers had left and those who remained end up leading the direction of the LNH as a whole. The LNH around this time became skewed towards horror and intense drama, with the more active series including ''[[The Team (series)|The Team]]'', ''[[Alt.Riders]]'', and later issues of ''[[Teenfactor (series)|Teenfactor]]''. After three issues of ''Pearly White'', Amabel got burned out on this and decided to do a traditionally LNHian gag series instead, making the value of comedy and the LNH's gag characters an explicit theme. It was still a very Working Through Shit kind of series, with a lot of intensely dark humor and disturbing subject matter, and veered wildly between comedy and dark melodrama; a whole lot of characters kicked the bucket (see above). Nonetheless, it was a significant milestone in both Amabel's development as a writer and the LNH's as a community.
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''Journey Into Irrelevancy'' was a reaction to an environment where, due to diminishing Usenet activity, many LNH writers had left and those who remained end up leading the direction of the LNH as a whole. The LNH around this time became skewed towards horror and intense drama, with the more active series including ''[[The Team (series)|The Team]]'', ''[[Alt.Riders]]'', and later issues of ''[[Teenfactor (series)|Teenfactor]]''. After three issues of ''Pearly White'', Amabel got burned out on this and decided to do a traditionally LNHian gag series instead, making the value of comedy and the LNH's gag characters an explicit theme.
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Begun literally a week after the September 11th attacks<ref name=nineeleven/>, it was still a very Working Through Shit kind of series, with a lot of intensely dark humor and disturbing subject matter, and veered wildly between comedy and dark melodrama; there were some moments that were undoubtedly Too Much even by 2000s edgelord standards, and a whole lot of characters kicked the bucket (see above). Nonetheless, it was a significant milestone in both Amabel's development as a writer and the LNH's as a community.
  
 
== Footnotes ==
 
== Footnotes ==
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<references>
 
<references>
 
<ref name=miniseries>Amabel ran the introduction of [[Maggie Bernard]] as a long backup story because of her past difficulty finishing miniseries. Later on she'd finish some really swell ones in [[8FOLD]].</ref>
 
<ref name=miniseries>Amabel ran the introduction of [[Maggie Bernard]] as a long backup story because of her past difficulty finishing miniseries. Later on she'd finish some really swell ones in [[8FOLD]].</ref>
 +
<ref name=nineeleven>Which in later retcons, as per ''[[Limp-Asparagus Lad (series)|Limp-Asparagus Lad]]'' #55 and ''[[President Evil]]'' #6, impacted the plot of the series itself; as the Dramatic imbalance following the [[Real World]] events of 9/11 impacting the [[Looniverse]] made the theft of the [[Clogs of Comedy]] possible.
 
</references>
 
</references>
  
 
[[Category:Classic LNH Series]]
 
[[Category:Classic LNH Series]]

Revision as of 18:43, 24 February 2022

"That's it!" said Scary Ghost Lass. "It's time to end this farce!"
"This isn't a farce," said Kid Quickly-Irritated-By-Others, quickly becoming irritated. "I hate it when people use the word `farce' incorrectly! A farce..."
"Is a fast-paced comedy revolving around slapstick humour, mistaken identities, ironic timing, and double entendres, all elements of the show Three's Company," said Ben Stein's Monster.

Journey into Irrelevancy is a Classic LNH series by Amabel Holland. This sometimes darkly absurd, sometimes just silly comedic series was originally intended as a distraction from the grim, super-serious Pearly White, but Amabel found writing that series too depressing and concentrated on JII instead.

It was very seldom that any drama was seriously attempted. It possessed the pacing and logic of a Jay Ward cartoon and showed a healthy disrespect for anything resembling taste. It was goofy and silly and broke the fourth wall at every possible occasion. It had no redeeming artistic qualities and most of the jokes were lame puns or obscure pop culture references.
But damn, did I love writing it.
Amabel Holland, Some Psuedo-Random Thoughts on the LNH

It introduced or reintroduced many of Amabel's Classic LNH characters not affiliated with Teenfactor. (And killed off a bunch of them, but a surprising number came back as ghosts or revenants.)

It also had backup stories of wildly varying style and tone, setting up JII's more serious and horror-oriented successor, Net.heroes on Parade.[1]

It can be read on the Eyrie Archive here.

Plot

Kid Quickly-Irritated-By-Others and his ragtag band of net.hero allies seek to protect the Looniverse's flow of Comedy, go on the run and get wrapped up in a succession of rapid-fire cinematic parodies. And also get stuck in a giant space toilet. Don't ask.

Characters

There are a lot:

Main Cast

Other LNHers

Awful Antagonists and Vile Villains

Others

Plot Devices

Locations

Deaths

Issue 8's backup feature was titled The Death of Michette Duclos, but that was the metaphorical kind of death.

Notes

Journey Into Irrelevancy was a reaction to an environment where, due to diminishing Usenet activity, many LNH writers had left and those who remained end up leading the direction of the LNH as a whole. The LNH around this time became skewed towards horror and intense drama, with the more active series including The Team, Alt.Riders, and later issues of Teenfactor. After three issues of Pearly White, Amabel got burned out on this and decided to do a traditionally LNHian gag series instead, making the value of comedy and the LNH's gag characters an explicit theme.

Begun literally a week after the September 11th attacks[2], it was still a very Working Through Shit kind of series, with a lot of intensely dark humor and disturbing subject matter, and veered wildly between comedy and dark melodrama; there were some moments that were undoubtedly Too Much even by 2000s edgelord standards, and a whole lot of characters kicked the bucket (see above). Nonetheless, it was a significant milestone in both Amabel's development as a writer and the LNH's as a community.

Footnotes

  1. Amabel ran the introduction of Maggie Bernard as a long backup story because of her past difficulty finishing miniseries. Later on she'd finish some really swell ones in 8FOLD.
  2. Cite error: Invalid <ref> tag; no text was provided for refs named nineeleven